Introducing Gus G: The Greek Guitar God
Words by: Karen Sy
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Nothing Personal
Words by: Jason Caballa
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Q&A;: DEATH CAB FOR CUTIE
Words by: Owel Alvero
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A Vulgar Display of Slapshock
Words by: Joey Dizon
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CHILDREN OF BODOM: Blooddrunk Tour
Words by: Karen Sy
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Trivium’s Bloody Valentine
Words by: Joey Dizon
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Pulp Shows You How
Words by: Joey Dizon
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URBANDUB: With Arms Raised
Words by: Joey Dizon
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THEY'RE NOT GOING TO SHOW MERCY ANYTIME SOON!
Words by: Karen Sy
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Hail the Keymasters
Words by: Karen Sy
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FROM CHICOSCI TO PRESENT
Words by: Jason Caballa
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Green Day
Words by: Hershey Homol
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SWITCH: Shock, Rattle, and Roll
Words by: Joey Dizon
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Summer Slam 9: "Countdown to Extinction" - it's another victory
Words by: Joey Dizon
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Juan Pablo Dream
Words by: Karen Sy
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Silent Sanctuary
Words by: Jason Caballa
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FRANCO
Words by: Joey Dizon
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HILERA
Words by: Jason Caballa
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HUMANFOLK
Words by: Karen Sy
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URBANDUB: With Arms Raised  Words by:Joey Dizon




About to release their fifth full-length album, Cebu City’s pride and the Philippines’ finest musical export Urbandub are still making waves with the music that makes the city lights shine like diamonds, while keeping their integrity intact and feet on the ground. As fans eagerly await the release of their MCA Universal debut Apparition, vocalist/chief songwriter Gabby Alipe and bassist Lalay Lim share with PULP the secrets behind their phenomenal status as the “best band in the land,” the story of how it took years to come full circle and why fans would be foolish to think that the struggle could be over now.It’s both amusing and a tad perplexing to realize that it’s been more than half a decade since I’ve met and shared wonderfully engaging conversations with the fine lads (and “lass”) of Urbandub, the Cebuano modern rock outfit who beat both the geographical odds and tactically nightmarish outcomes of slugging it out on Manila soil with hit-after-hit singles, massively successful albums and an incomparable live performance ethic. I remember seeing and hearing them for the first time in their home turf during the 2004 Sinulog Festival in Cebu, and can still remember like it was yesterday when I first watched how they offered their own blood, sweat and tears during their first tour to Manila not too long after.

There was something about this band that wreaked of urgency (even though I can proudly say that most people had their heads turned the wrong way when the band first announced its arrival; ha-motherfucking-ha, morons…), and it wasn’t just the genius songwriting and musical skill: it was the sincerity to pursue what they had dreamed about doing for the next decade of their individual lives. They weren’t- at all - foaming at the mouth, calling-out the competition and boisterously begging for attention, but they were quiet, timid musicians who busied themselves writing great songs and music, and dealt with the requisite challenges by, well, writing even more great music. – Get Pulp's November Issue to read more.




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